abstract-outros
abstract-outros
ABSTRACT · OUTROS — five ways to land the reel's phone. Each is a 6.5–7 s shot in the abstract reel's grammar that ARRIVES at a lockup — wordmark, strap, the CTA on the glass — and then HOLDS, so a fade or an end card has a still frame to cut from. The five are the five things a film can do in its last seven seconds:
Read the rig's notes
# scene dur transition device the claim 01 o01-pullback 7.0 match-move iphone from the glass to the whole lockup, back-loaded 02 o02-lights-out 7.0 match-move iphone a halo closes on the phone and the room goes dark around it 03 o03-family 7.0 match-move iphone+ipad+laptop three devices wiped up onto a mirror floor under the mark 04 o04-ripple 7.0 match-move iphone the camera leaves upward and the wordmark is on the floor 05 o05-click 6.5 — iphone tight, the flare holds, and one press closes the film 34.5 s of scene + four gaps (3.2 s) ≈ 37.7 s on the wall. Every scene also stands alone: cut one out, set transition=none, and it is a closer. WHAT AN OUTRO IS HERE. The last 1.2 s of every shot is STILL — the camera's last two rows are the same pose, every drift track has returned to rest and no beat lands there — because whatever follows (a fade, an end card, a URL) has to cut from a frame that is not moving. Motion is front-loaded and the lockup is the destination, not a thing that happens on the way. THE DEVICE IS THE MATCH. Every scene's phone carries match=hero and the haze lobes hz0/hz1/hz2, so the match-move gap flies one phone from closer to closer. In o03 the phone is the matched member of the family; the ipad and laptop are its own. The phone stands at floor + 79.75 (a device node is its centre), the laptop at floor + 118.9, the ipad at floor + 140.3. LOOK — carried unchanged from the abstract reel: ink #e9e6df dim #7c7970 line #23232a mark #ffb347 cool #7ad7ff warm #ffa25e backgrounds #0a0b0f · #04050a · #05060a · #04040a THE PULL-BACK (o01) is the reel's shot 26 run as a closer: a back-loaded table 0 · 0.04 · 0.34 · 1 over the first 5.4 s, then a hold. The first two rows are node= fill= rows on the phone (84 % → 78 % of frame height); the last two are explicit poses so the wordmark above the phone is in frame. THE CLICK (o05) is the reel's last motion: the CTA card presses at 3.9 s (scale 1 → 0.955 → 1, easeOutBack on the release) and a flat emissive ring leaves the phone on the same beat, gone by 5.1 s. Nothing moves after that. POST. bloom → film_grain → fxaa on every shot; prismatic_dispersion only on o05, which carries the flare. shot bloom thresh spread grain / vignette 01 pull-back 0.60 0.82 — 0.012 / 0.32 02 lights-out 0.85 0.78 — 0.012 / 0.36 03 family 0.55 0.84 — 0.011 / 0.30 04 ripple 0.75 0.80 — 0.012 / 0.34 05 click 0.90 0.74 0.01 0.013 / 0.36 THE WORDMARK is a placeholder. "AXIOM", the strap and the CTA copy are the reel's own lockup; an assembly replaces those text nodes and nothing else has to move. NO AUDIO. Primitives reel; add at assembly time. Capture: nx run tools:capture:webgl -- --project promos/primitives/scenes/abstract/parts/abstract-outros.promo --width 1920 --height 1080 --times "1.2,6.4,12.6,14.4,21.4,27.6,29.2,34.4,37.4" Preview: /packages/runtime/index.html?project=promos/primitives/scenes/abstract/parts/abstract-outros.promo
- Topic
- scenes
- Scenes
- 5
- Kind
- reference rig
//
ABSTRACT · OUTROS — five ways to land the reel's phone. Each is a 6.5–7 s
shot in the abstract reel's grammar that ARRIVES at a lockup — wordmark,
strap, the CTA on the glass — and then HOLDS, so a fade or an end card has
a still frame to cut from. The five are the five things a film can do in
its last seven seconds:
# scene dur transition device the claim
01 o01-pullback 7.0 match-move iphone from the glass to the whole lockup, back-loaded
02 o02-lights-out 7.0 match-move iphone a halo closes on the phone and the room goes dark around it
03 o03-family 7.0 match-move iphone+ipad+laptop three devices wiped up onto a mirror floor under the mark
04 o04-ripple 7.0 match-move iphone the camera leaves upward and the wordmark is on the floor
05 o05-click 6.5 — iphone tight, the flare holds, and one press closes the film
34.5 s of scene + four gaps (3.2 s) ≈ 37.7 s on the wall. Every scene also
stands alone: cut one out, set transition=none, and it is a closer.
WHAT AN OUTRO IS HERE. The last 1.2 s of every shot is STILL — the camera's
last two rows are the same pose, every drift track has returned to rest and
no beat lands there — because whatever follows (a fade, an end card, a
URL) has to cut from a frame that is not moving. Motion is front-loaded and
the lockup is the destination, not a thing that happens on the way.
THE DEVICE IS THE MATCH. Every scene's phone carries match=hero and the
haze lobes hz0/hz1/hz2, so the match-move gap flies one phone from closer
to closer. In o03 the phone is the matched member of the family; the ipad
and laptop are its own. The phone stands at floor + 79.75 (a device node
is its centre), the laptop at floor + 118.9, the ipad at floor + 140.3.
LOOK — carried unchanged from the abstract reel:
ink #e9e6df dim #7c7970 line #23232a
mark #ffb347 cool #7ad7ff warm #ffa25e
backgrounds #0a0b0f · #04050a · #05060a · #04040a
THE PULL-BACK (o01) is the reel's shot 26 run as a closer: a back-loaded
table 0 · 0.04 · 0.34 · 1 over the first 5.4 s, then a hold. The first two
rows are node= fill= rows on the phone (84 % → 78 % of frame height); the
last two are explicit poses so the wordmark above the phone is in frame.
THE CLICK (o05) is the reel's last motion: the CTA card presses at 3.9 s
(scale 1 → 0.955 → 1, easeOutBack on the release) and a flat emissive ring
leaves the phone on the same beat, gone by 5.1 s. Nothing moves after that.
POST. bloom → film_grain → fxaa on every shot; prismatic_dispersion only on
o05, which carries the flare.
shot bloom thresh spread grain / vignette
01 pull-back 0.60 0.82 — 0.012 / 0.32
02 lights-out 0.85 0.78 — 0.012 / 0.36
03 family 0.55 0.84 — 0.011 / 0.30
04 ripple 0.75 0.80 — 0.012 / 0.34
05 click 0.90 0.74 0.01 0.013 / 0.36
THE WORDMARK is a placeholder. "AXIOM", the strap and the CTA copy are the
reel's own lockup; an assembly replaces those text nodes and nothing else
has to move.
NO AUDIO. Primitives reel; add at assembly time.
Capture: nx run tools:capture:webgl -- --project promos/primitives/scenes/abstract/parts/abstract-outros.promo --width 1920 --height 1080 --times "1.2,6.4,12.6,14.4,21.4,27.6,29.2,34.4,37.4"
Preview: /packages/runtime/index.html?project=promos/primitives/scenes/abstract/parts/abstract-outros.promo
promo#abstract-outros(width=1920 height=1080 fps=30)
materials
// the abstract reel's six materials, carried whole so this file grades on its own
physical#clearcoat(color=#15161a metalness=0 roughness=0.45 clearcoat=1 clearcoat-roughness=0.06 envmap-intensity=1.1)