rain.luxury
rain.luxury
RAIN · LUXURY / BLACK & GOLD — color/material restyle of rain.promo. Black lacquer and metallic gold. The field is brass, the hardware is void, the HUD is gold on black. High gloss, dramatic key.
Read the rig's notes
RAIN — ten shots of the look that shot was named for, without the weather. The source image is a phone at a majestic three-quarter, an anamorphic blade off its corner, amber and teal lobes in a near-black room, and a field of thin-film capsules as the near-free geometry. Falling streaks were one way to occupy that field. They are not the claim. These ten re-point the same parts: the angle, the flare that actually lights the set (light="true"), the two-colour haze, and capsules as a sculptural volume the camera is inside of. LOOK · LUXURY / BLACK & GOLD: ink #d4af37 dim #8a7430 line #3d3420 mark #d4af37 cool #c5a028 warm #e8d5a3 backgrounds #000000 · #0a0804 HAZE. Three lobes, hz0/hz1/hz2, matched across every scene so the room survives the cuts. Colours are the shot's own key/fill. Drift only — no pulse, no decay. Sizes 880–1600 mm so they read as LOBES against the void, never as a full-frame wash. CAPSULES. 36 matched (match=rk) plus a per-shot unmatched shell. The matched set is what a match-move gap flies: volume → lattice → fan → crossing sheets → cluster → rings → colonnade → needles → pair → lockup. Motion is a slow drift that returns to its first value, so the held end pose matches the start. Nothing falls. THE ANGLE. Every shot is the same three-quarter the still was named for: camera left and slightly below, fov 38, phone at 14 / −22 / 12 so the top-right recedes and the bottom-left is the near corner. A slow push lands at fill=52. The camera never crosses to the right of the subject and the device never yaws out of the three-quarter. Variation is the field, the grade, and a few degrees of pitch — not a different camera. THE FLARE. A lens-flare paints the IMAGE, not the scene — added after shading, so by itself it cannot put a highlight on the rain of capsules around it. light="true" hangs a PointLight on the anchor, tinted by the flare's own colour, decay=0 + a millimetre cutoff so the intensity reads at this scale. attach+corner keeps it on the silhouette as the device turns. THE UNITS. Every length is a millimetre. Devices render at true physical size. Cameras sit 400–1200 mm out. # scene dur transition device the shot 01 s01-majestic 7.0 match-move + dolly-zoom-in iphone the still: below-left, amber blade 02 s02-rake 6.5 match-move iphone lateral rake past a lattice 03 s03-ascent 7.0 match-move iphone from under, a radial fan 04 s04-cross 7.0 through=s04-phone iphone two sheets, two flares 05 s05-inside 7.0 match-move iphone camera starts in the field 06 s06-halo 7.0 match-move iphone two rings, a 90° orbit 07 s07-lid 6.5 match-move + dolly-zoom-in laptop the blade rakes a lid 08 s08-needles 6.5 match-move iphone tight fill, foreground needles 09 s09-pair 7.0 emerge through=s10-phone iphone+ipad family, two glints 10 s10-lockup 7.0 — iphone lands, the flare holds 68.5 s of scene + nine gaps ≈ 76 s on the wall. NO AUDIO. Primitives reel. Preview: /packages/runtime/index.html?project=promos/primitives/scenes/abstract/rain.luxury.promo
- Topic
- scenes
- Scenes
- 10
- Kind
- reference rig
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RAIN · LUXURY / BLACK & GOLD — color/material restyle of rain.promo.
Black lacquer and metallic gold. The field is brass, the hardware is void, the HUD is gold on black. High gloss, dramatic key.
RAIN — ten shots of the look that shot was named for, without the weather.
The source image is a phone at a majestic three-quarter, an anamorphic
blade off its corner, amber and teal lobes in a near-black room, and a
field of thin-film capsules as the near-free geometry. Falling streaks
were one way to occupy that field. They are not the claim. These ten
re-point the same parts: the angle, the flare that actually lights the
set (light="true"), the two-colour haze, and capsules as a sculptural
volume the camera is inside of.
LOOK · LUXURY / BLACK & GOLD:
ink #d4af37 dim #8a7430 line #3d3420
mark #d4af37 cool #c5a028 warm #e8d5a3
backgrounds #000000 · #0a0804
HAZE. Three lobes, hz0/hz1/hz2, matched across every scene so the room
survives the cuts. Colours are the shot's own key/fill. Drift only —
no pulse, no decay. Sizes 880–1600 mm so they read as LOBES against
the void, never as a full-frame wash.
CAPSULES. 36 matched (match=rk) plus a per-shot unmatched shell. The
matched set is what a match-move gap flies: volume → lattice → fan →
crossing sheets → cluster → rings → colonnade → needles → pair →
lockup. Motion is a slow drift that returns to its first value, so
the held end pose matches the start. Nothing falls.
THE ANGLE. Every shot is the same three-quarter the still was named for:
camera left and slightly below, fov 38, phone at 14 / −22 / 12 so the
top-right recedes and the bottom-left is the near corner. A slow push
lands at fill=52. The camera never crosses to the right of the subject
and the device never yaws out of the three-quarter. Variation is the
field, the grade, and a few degrees of pitch — not a different camera.
THE FLARE. A lens-flare paints the IMAGE, not the scene — added after
shading, so by itself it cannot put a highlight on the rain of
capsules around it. light="true" hangs a PointLight on the anchor,
tinted by the flare's own colour, decay=0 + a millimetre cutoff so
the intensity reads at this scale. attach+corner keeps it on the
silhouette as the device turns.
THE UNITS. Every length is a millimetre. Devices render at true
physical size. Cameras sit 400–1200 mm out.
# scene dur transition device the shot
01 s01-majestic 7.0 match-move + dolly-zoom-in iphone the still: below-left, amber blade
02 s02-rake 6.5 match-move iphone lateral rake past a lattice
03 s03-ascent 7.0 match-move iphone from under, a radial fan
04 s04-cross 7.0 through=s04-phone iphone two sheets, two flares
05 s05-inside 7.0 match-move iphone camera starts in the field
06 s06-halo 7.0 match-move iphone two rings, a 90° orbit
07 s07-lid 6.5 match-move + dolly-zoom-in laptop the blade rakes a lid
08 s08-needles 6.5 match-move iphone tight fill, foreground needles
09 s09-pair 7.0 emerge through=s10-phone iphone+ipad family, two glints
10 s10-lockup 7.0 — iphone lands, the flare holds
68.5 s of scene + nine gaps ≈ 76 s on the wall.
NO AUDIO. Primitives reel.
Preview: /packages/runtime/index.html?project=promos/primitives/scenes/abstract/rain.luxury.promo
promo#rain-luxury(width=1920 height=1080 fps=30)
materials
physical#thinfilm(color=#1a1408 metalness=0.85 roughness=0.22 clearcoat=1 clearcoat-roughness=0.08 envmap-intensity=1.4)
physical#thinfilm-plum(color=#d4af37 metaln